[In constructing an assemblage of “outsider” poetry there is a point finally at which the work of contemporaries has also to be considered. I have felt constrained here by a determination not to confuse “outsider” with some sense of the “marginal” or “alternative” as defined in contrast, say, to another assumption of “mainstream” or “normative” or even (god help us) “canonical.” Here, it seems to me, one principal characteristic (but only one) of outsiderness, as I’ve come to understand it, is a difference of mind or body that results in a range of differences in language & poetic forms that might otherwise be hard or impossible to come by. It is in this sense too that “outsider art” and by extension “outsider poetry” has had as one of its anchors what Dubuffet & others defined as art brut & brought into prominence the work of artist/poets such as Adolf Wölfli & Aloise Corbaz. In line with that I can imagine the place among outsiders of “canonical” or near-“canonical” figures such as Blake & Smart, Hölderlin & Artaud, whose skewered view of language & poetic form was both a cause & consequence of their historical isolation. Coming closer to the present, however, I have hesitated to bring the work of my contemporaries & acquaintances into play. With Hannah Weiner (1928-1997), as a key instance, the turning in her work followed an extreme perceptual shift in which words & letters appeared to her in air & on the surfaces of objects & people, to be incorporated into the written works she was then composing. In her own well known accounting: “I SEE words on my forehead IN THE AIR on other people on the typewriter on the page These appear in the text as CAPITALS or in italics” The results of that, through her own efforts, were nothing short of extraordinary.
[The following poem & many others, some still more radical, can be found at Weiner’s web site: http://epc.buffalo.edu/authors/weiner/]
LITTLE BOOK 125
OCT POWER DAY Oct 12 78
OCT POWER DAY Oct 12 78
OCT POWER DAY
11 SHEETS 3
correctly
ohs hannah SPEL
b
e s m o r e p r a c ticalJimmie cant spell
corrected date 12JIMMIE STANDSBIS PRINT
I HAVE POETS
HIS MIND IN
MY POEMSHannah
I CANS WRITEI correct
BIS PRINT
MYSELF CORRECT S P E L L I N G
I JUST HAVE ONE
MIND
c j e
o I I
u m m
n t
t o
s l
aTo OFFER MY
OTHERM I N D
please Jimmy prints HIS LETTERSHIS SECRETS
HIDESR U S S spellJimmy is spelled
correctly
HOMEON 9th STREET
of
COURSE
I just couldn't write
it about myself
BIG P about it
I JUST RUSSEL
I canst spell
MEANSwalks with him
INS NOVFEBR complete
I JUST DONT WANT
signed date 12 ohs hannah spelled
a y
w l
kward SILENCETHISBOOKCOMPLETED
SAY TONIGHT JIM spell ERRORI just want to writeabout
WHATS A NAMEstanding up
all
THE STEPSSHEETS
ha SKIP TOP LINE
hannah forgot
STRUCTUREins my SILENCE
S E N T E N C E
I may just become
Jimmie scribblesa
RUSSELL MEANSwriter soon
TWO PAGEShannah this is our
foreheadsecret
SILENT3 people split
before forgets
message
PAGE ONEyou feel PRINT
WONDERFUL AFTER
THIS BOOK IS
SOLDS
I meant a message
silent messenger
secret
two pages lost INS SHEETSE X P E N S I V E
and I
BIS PRINTforgot
BRUCE
W
H A S A S E N
TBRUCEwhat writers
remember I am me
ALWAYS M E A N S I always forget to
spell his name
b a c k w a r d s
SPEAK STONEDcorrectly Jimmie call
please f
o r ge
t s e n t e nc SILENCE
e HANNAH THATS OCT 12Jimmie thinks
SECOND PAGE
I'm a fool not
to
MISS A PAGEwrite a second book
Bernadette closes
about him
explainsuspended
sentence
please be silent
structureI ams giving away
all my secrets
darlingB E R N A D E T T E
I am also a writer
Jimmie signed[The preceding is from Weiner’s Little Books/Indians, Roof Books, 1980.]




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